Disney’s ‘Eternals’ tops domestic box office for 2nd weekend

Jack Whitehall, from left, Darby Camp and Izaac Wang appear in a scene from "Clifford the Big Red Dog." (Paramount Pictures via AP)
The Associated Press

Disney and Marvel’s “Eternals” took a steep drop in its second weekend in theaters, but it’s still hanging on to first place ahead of newcomers like “Clifford the Big Red Dog.”

“Eternals” added $27.5 million over the weekend, bringing its domestic total to $118.8 million, according to studio estimates Sunday. The film, directed by Oscar-winner Chloé Zhao and starring Angelina Jolie, Kumail Nanjiani, and Gemma Chan, fell 61% from its debut. Though not uncommon for a big superhero tentpole, it was significantly steeper than the 52% drop seen by the last Disney and Marvel offering, “Shang-Chi and the Legend of the Ten Rings.”

Both played exclusively in theaters, but the main difference is that “Shang-Chi” simply got better ratings from audiences and critics. “Shang-Chi” also became available to stream on Disney+ this weekend. “Eternals” has made $281.4 million globally to date.

Second place went to “Clifford the Big Red Dog,” which opened in theaters during the week and was also available to stream at home for Paramount+ subscribers. It made an estimated $16.4 million from 3,700 theaters over the weekend and $22 million across its five days in release.

Though critics were not impressed (it has a 48% on Rotten Tomatoes), audiences were more forgiving, giving it a promising A CinemaScore. And “Clifford” managed to do this in the face of uncertain moviegoing conditions for families.

“There’s been a lot of talk about family audiences and whether or not they want to go to the movie theater,” said Paul Dergarabedian, Comscore’s senior media analyst. “I think this is a really solid debut. It shows there is a demand for family films on the small screen and the big screen.”

Blockbusters rounded out the top five with “Dune” in third place with $5.5 million, “No Time to Die” in fourth with $4.6 million, and “Venom: Let There Be Carnage” in fifth with $4 million. Notably, “Venom 2” this weekend became only the second pandemic-era film to cross the $200 million mark at the domestic box office. The other was “Shang-Chi.”

More and more awards hopefuls are entering the specialty box office as well, and many are making their way into the top 10. This weekend Kenneth Branagh’s semi-autobiographical film “Belfast” made $1.8 million from 580 screens in its debut. In its second weekend, “Spencer,” featuring Kristen Stewart as Princess Diana, pulled in $1.5 million from 1,265 screens. And even in its fourth weekend, Wes Anderson’s “The French Dispatch” continues to do well, adding $1.8 million and bringing its total to $11.6 million.

Outside the top 10, the Julia Child documentary “Julia” opened on five screens to $20,796.

“These films are in fewer theaters, but there is a demand for independent film which is one of the categories that everyone thought would be really hurt by the pandemic,” said Dergarabedian. “We’re really seeing signs of a much more normalized marketplace.”

Next weekend, “Ghostbusters: Afterlife” faces off against the Will Smith awards hopeful “King Richard.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

1. “Eternals,” $27.5 million.

2. “Clifford the Big Red Dog,” $16.4 million.

3. “Dune,” $5.5 million.

4. “No Time to Die,” $4.6 million.

5. “Venom: Let There Be Carnage,” $4 million.

6. “Ron’s Gone Wrong,” $2.2 million.

7. “The French Dispatch,” $1.8 million.

8. “Belfast,” $1.8 million.

9. “Spencer,” $1.5 million.

10. “Antlers,” $1.2 million.